Frank Gehry's buildings have a clear consistent style of fluidity. His aim was to create something that has never been seen before, Gehry's focus on 'the interrelationship between democracy in the program and movement in the form' [Gilbert-Rolfe and Gehry, 2013, p. 1] are very important aspects of his design process, creating sculptural forms. His aim is for the consumer to not think about what building (its purpose) they are in, and to enjoy the space, putting practicalities aside. 

Below is part of an interview between Frank Gehry and Barbara Isenberg from the University of Southern California explaining his influences of music in his designing;

"BI: You're also very interested in music yourself. What is it about music that attracts you?

FG: Well, first of all, I'm a dilettante when it comes to classical music, but I certainly appreciate it. Although I'm not knowledgeable about the history of things, I love to go to concerts and listen.

BI: Describe how you listen.

FG: When I concentrate on music, I listen to its structure. I try to understand the repetitions and evolution, because it evolves spatially for me. Some music tells a story: In Tchaikovsky, the clouds are coming and the rain is coming down. But then the more abstract Mozart, Beethoven, Bach and contemporary music, like John Adams, don't tell a story. So you listen for the structure and you try to understand it. Sometimes you hear some familiar phrases or ideas, and sometimes you can pick up where they come from. Quite often I'll go to a concert, get very tired and sort of float off into some kind of reverie. I'm just sort of semiconscious, and I'll find myself fantasizing spaces and shapes and things.

BI: The music will stimulate images for you?

FG: Yes. It's very much like architecture. You know architecture has been called frozen music and somebody asked me if that means that music is liquid architecture.

BI: You've said that if you could be an instrument you'd be a cello?

FG: I love the persona of the cello, the sound of it and the image of it. I've always had a fantasy about playing the cello. I almost signed up for lessons once, maybe 20 years ago, but I realized it would be ludicrous at that point in my life. I always fantasized if I could transform myself into a musical instrument I would want to be a cello. I saw too many Walt Disney movies."

http://www.usc.edu/uscnews/stories/16523.html, accessed January 2015